New Lacy Vest

As I mentioned in my last post, I'm taking a break from scarves to try some new things.  Here's a new vest I finished recently.  I just love how the colors work together.

It's made from fancy ribbon and squares of hand-dyed silk chiffon.  In winter I can envision this over a basic black dress or in summer over a cami when you need just a little something over your shoulders.

The stitching and assembly were a little tricky to figure out the first time, but I was so pleased with the result that I knew I needed to make another one.  This time I've done things a little differently, and so far it's been much easier.

Look for more of these during our Holiday Open Studios in December or call or e-mail if you need one sooner.

Still making scarves

Here are the latest two Free Lace scarves in my inventory.  They are headed to Dahlia's Annual Scarf Show tomorrow morning.  I've been having fun with items from my stash.  These use some colorful ladder yarns given to me by my new friend down the hall Julia Farwell-Clay and bits of hand-dyed silk chiffon (the red violet) and charmeuse (the green and blue).  As is often the case, Julia's "refuse" was my treasure.  The yarns she gave me fit oh-so-well with other things that I wanted to use.  It is so much fun to look through all the treasures to decide what will go together in the next project.

These are the last scarves for just a bit.  I'm experimenting now with some vests and tunics.  More on that soon.  Thanks for checking in.

More Free Lace Scarves

A lot of water under my bridge since my last post just after returning from the LNHC Craft Fair in Sunapee, NH.  So much has happened that I have just not been able to stop to put fingers to keyboard.

I spent a wonderful week on Puget Sound visiting my sister, brother-in-law and niece.  My husband, son, daughter and son-in-law came too.  We had such a good time hanging out together and seeing the sights.

I made a couple of trips to Minnesota to be with my mom in her final days.  During the first trip she rallied and we were able to share some wonderful memories.  During the second trip she quietly slipped from this world and the family gathered to share more memories.

Since getting back to my studio I've been creating more free lace scarves, rethinking the business model for Friends Fabric Art (more about that in another post), and getting my head back into my manager's role at the Loading Dock Gallery.  It is a struggle sometimes to know where I am and what I am doing, but things are beginning to settle down again.

In a day or two I'll be sending a box of ten new free lace scarves to Dahlia for her upcoming Scarf Show.  Here are just a couple:

This one has great fall colors - greens and golds in the ribbons and bits of rust in the hand-dyed silk chiffon squares.

This one has a bit of sparkle from silver metallic yarns and color from hand-dyed silk charmeuse & chiffon.

Sunapee Show Recap

After all the excitement of getting ready for and participating in the LNHC annual craftsmen fair at Sunapee, NH, I am having a fairly relaxed day in my studio.  I haven't reset my display here or even set up my sewing machine again, but I have fully unpacked my car and stowed things away at least so I have moving and breathing space.

As you may know, Sunapee was my first really big fair.  It was a VERY good experience for me and I have so many people to thank for helping me through it.  The Merrimack Valley Artisans really initiated me when I dipped my toes in the water at their show a couple of years ago. Several of their members who are also in the League of NH Craftsmen have continued to give me invaluable help and guidance.  I wouldn't haven't gotten through this without them.  Thanks Betsy, Tarja, Ritva, and Paula.

I also owe gratitude to all who stopped by my booth to chat, show support and to shop.  It was much appreciated.  I feel like I made so many new friends.  And, I renewed some old acquaintances as well.  On the third day of the show, the woman that I shared an office with back in the early 80s showed up in my booth.  She'd seen my name in the program, noted my Lowell address and came to find out if indeed it was me.  I'm sure it had been more than 20 years since we'd seen each other.  It was definitely a memorable event.

Here are a few other things that will stick in my mind from the fair...

 The photos of my friends and me attracted lots of attention and comment.  People could tell that the models were my friends and that they were feeling good and having fun.  They clearly got the message that I was making jackets for "real people."

It was fun to change the jacket display on the back wall each day and to hear what people had to say about them.

This great sculpture from Dale Rogers of Haverhill was right outside my booth.  It lent a happy note to every day.  I'd smile even wider when people stopped to pose by it and have their pictures taken.  I'm kicking myself that I didn't have Dale pose by it.  I think it really captures him.

Here's the wider view from my booth.  It was just amazing - and what was even more amazing than the view was the fabulous weather we had.  It rained only 2 days out of 9 and neither time did it rain all day.  And as you can see from the picture, people enjoyed the sculpture garden even in the rain.

Dahlias, Mums and Connections

When I sit down to begin my next blog post,the first thing I always do is to check in on other blogs that I follow.  One of my favorites is Ann Williamson's.  She also creates one-of-a-kind clothing and I find her work endlessly inspiring.  I am definitely a fan.  This time I felt a special connection to her as her most recent post was about spidery chrysanthemums and shows many designs incorporating these flowers.  It touched a cord for me because today's post is about my most recent jacket which uses a fabric with these mums on it.  It's only the most tangential connection--our work is very different--but I felt it nevertheless.

Here's my jacket.

I call this one Dahlias and Mums.  Mums is obviously a reference to the colorful chrysanthemum pattern on the collar and cuffs.  Dahlias is a subtle thank you to Dahlia  Popovitz--a hand-weaver who has a lovely shop in Newton Center, Massachusetts.  She carries my free-lace scarves.  The last time I dropped off scarves, I came away with bags left-over bits of her hand-woven fabrics.  The pieces were too small for her work, but were perfect for mine.  If you look closely at this jacket, you'll see that most of the appliqued triangles are made of those fabric bits.

The background fabric  for this jacket has an intricate woven pattern with great texture that seemed an appropriate setting for Dahlia's bits of color and glitz.  I feel so fortunate to be the recipient of such wonderful gifts.

They make an appearance on the back as well as the front...

And even on the inside.

You can see this jacket and others at Western Avenue Studios First Saturday (Studio 304) at the end of the week, or visit me at the League of New Hampshire Craftsmen annual fair in Sunapee, New Hampshire the first week in August (booth C12 in the Emerging Artists tent).

Using Recycled Sari Ribbon Again

At the end of last week I moved all my sewing equipment to our lake house in Maine.  We'll spend as much time as we can up there for the next couple of months.  The lake views are distracting, calming and energizing all at the same time.  My sewing machine sits on a card table in a corner of the livingroom with windows on two side.  This time of year the water's still high so I feel like I could reach out and touch it right from where I sit.  The view doesn't keep me from working though, and Monday I finished another jacket.

I incorporated insets of the recycled sari ribbon again in this one.  I used the technique of laying the ribbons over an organza base and stitching them down till everything held together.  This time I actually wove the ribbons together before stitching, but I hung onto my Wabi Sabi theme and left lots of crinkles and raw edges.  I also used quite a random weaving pattern based on how much of a certain color I wanted to show.  Since I was going to stitch over all of it, I didn't have to worry about the weaving holding it together.

Here's what it looked like before I started to cut it up.
 

And here's the jacket with the inset pieces.  This is the back.

And here's the front:

I call this one Sari Reprise.

Rhythm & Rhyme ~ Pattern & Texture

Tomorrow is the big day for me--the opening of our show at the Loading Dock Gallery here at Western Avenue Studios.  It's a joint show with Elaine Perra Renault who does these wonderfully intricate painted textiles.  She starts with prequilted cotton which she "primes" with a base color; then she adds patterns in each of the little sections.  All those tiny patterns add up to a larger design.   I love her work and she's been a delight to work with on this.

Our show title--Rhythm & Rhyme ~ Pattern & Texture--signifies both the process and results of our work.  For me my work is visual music and poetry with an ebb and flow and repeating motifs.  I'm pleased to share it.

My contribution to the show includes both my jackets and my free lace scarves.  I've been working hard to make sure that there are new works included that haven't been shown before.  But even the ones that some may have seen before look new when they are displayed in a new way.  It's very exciting.

Here's a preview:

 I hope visitors to the exhibit will see my jackets potential as wall art as well as wearable art.

Here's a sample of Elaine's work - A large dyptich called Galaxy.  You really must see it in person to get the full effect.

If you are in the area, we do hope you'll stop by tomorrow for the reception, or later in the month.  The show will be there through the month of June.  For details, check the gallery website or Facebook page.

A Satisfying Week of Art

This is a rather unusual occurrence for me.  I have another jacket to share just a week after the last one.  For the first time in a long while, I've been able to spend almost all my studio time on sewing.  I've gotten relatively caught up on my administrative duties and I think our web site is finally fixed and working as it should.  It has felt so good to be able to just concentrate on art for a change.

I've gone for simple and understated in this one--a raw silk blend with couched perle cotton (Stef Francis, of course) and embroidered leaves salvaged from a fabric sample destined for the trash bin.  I call it Leaf Line.

 The details are subtle, but even the inside has not been ignored.

As I finish each jacket, I have started to create a scarf that picks up some element of the jacket.  That's what I'm starting today - a scarf to use all the leftover embroidered leaves that I so painstakingly cut from those fabric samples.

The Art of Fashion

When it rains it pours - but I'm not complaining...it seems to be raining opportunities for me lately.  So many things are happening, I'll have no chance for mischief for the foreseeable future.

Here's the scoop:

Friday I drop off 2 jackets for the next League of New Hampshire Craftsmen show--Continuing the TRADITION--at the Gallery at The Craft Center & Headquarters in Concord, NH.  This show is billed as "A multi-media exhibition featuring the work of newly juried craftsmen."  It runs from April 19 through June 19, 2013.

Also on Friday, I'll be submitting 6-7 free lace scarves to the League for jurying.  I hope to be able to sell them in my booth at the League's craft fair in Sunapee, NH this August.

May 29 my joint show with Elaine Perra Reneault--Rhythm & Rhyme, Pattern & Texture--opens in the Loading Dock Gallery here at Western Avenue Studios.  Mark your calendars.  Our opening reception will be on June 1, 2013 5:00-7:00 pm.  Elaine does gorgeous paintings on quilted fabric that grab you from a distance and draw you right in for her intricate detailing.  I will be showing my newest jackets and free lace scarves.

Here's a preview of the jacket I finished most recently:

Just Fiddling Around

This one was created with another of Judy Robertson's hand-dyed fabrics, complemented by commercial batiks purchased at Portsmouth Fabric Company with my prize money from my 2012 Best in Fine Sewing Award at Craftwear last summer.

These were the opportunities that I knew of as of Saturday morning.  Then, Saturday afternoon during our monthly open studios, two more came up.  First I was approached by Elaine Wood who is starting a small artisan-made gift store in the Zeitgeist Gallery here in Lowell.  She asked if I would be interested in selling my art cards there - starting in 4-6 weeks.  That was an ego boost and a good reason to make more of those.

As if that were not enough, later in the afternoon the event planner for the Whistler House Museum of Art came in to our studio and asked if I would be willing to display several of my jackets during their June gala--The Art of Fashion.  Needless to say I was flattered and did not hesitate to agree.  

Luckily jacket ideas are backing up in my head, so I guess I'd better get back to the sewing machine...

Disaster to Opportunity

Another jacket is finished...
One of my goals for each creation is build in a small surprise, something you may not see at first glance.  This one has a couple of surprises, one planned and one unplanned.
Here is the front:

And the back:

If my design is working the way I think it does, you'll notice the diagonal stripes immediately.  But what you may not notice immediately, unless you are a Music Lover, is the fabric inset to create the stripes is all music related prints.  And it is not a fluke that there are 5 lines in each of the groups of added stitching, as there are in a staff of music.  These are the planned surprises.

There is also a surprise inside that was not planned.  When I'd nearly finished it - I just needed to stitch the hem lining to the jacket lining - I had an accident with it and ripped a good-sized hole in the lining near the hem.  Needless to say it was a heart-stopping moment.  Just replacing the lining was not a feasible option, the seams were all trimmed, graded and understitched - very difficult to redo neatly.

Happily with a little creativity and a helpful suggestion from Sonja, I was able to not only fix the problem but add a new design element.  For that surprise you'll have to see the jacket up close and personal!  My show at the Loading Dock Gallery is coming up in June.

Making the Most of a Yard of Fabric

In past musings I have often mentioned using fabrics created by my friend Judy Robertson of Just Imagination fabrics.  We vended together at the Quilt Surface/Design Symposium in Columbus, Ohio for several years.  Each year I bought a few yards of her fabrics to add to my stash.  While I've never been afraid to cut them, I am very careful where I use them. (I've heard that some are unwilling to cut them- they are just that beautiful.)  Except for our kimono project, I've used Judy's fabrics primarily for accent.  But lately one of her "stripes" had been calling my name for a jacket project.

The patterning in this fabric is so striking that I knew it had to be the central element of the jacket, not just an accent.  I had two yards in the same colors (Judy dyes each yard individually), but I really didn't want to "blow my wad" in just one project.  My dilemma was how to get a striking jacket from just one yard of fabric so I could save the other yard for another project.  Happily my fabric stash came to the rescue.  I found several pieces of fabric in complementing colors, some of which had woven patterns that also seemed to echo the dyed patterns in Judy's fabric.

So here's the result.

Front

Back

I've called this one Added Imagination in honor of Judy and her beautiful fabric.

Sari Ribbon Finish

I knew I'd gotten behind on my blog posts, but I didn't realize just how far behind until I looked at my last one.  Since that post I've finished both pieces that I referred to in it, finished another jacket and free lace scarf, and am well underway on another jacket.  I guess I have some writing to do over the next few days.

February was the month for the joint show with my daughter, Sonja Lee-Austin, at the public library in Topsfield, Massachusetts.  Our theme was Wabi Sabi ~ Marks of Time, Use, & Weather.  It's a Japanese philosophy or way of life that encourages us to find beauty in things that are humble, time-worn, natural, and so on.  It's hard to put into a few words, but much has been written about it.  And we're finding that many other artists have been inspired by the concept.

Early on I knew that I wanted to do at least one piece for our show that incorporated the recycled sari ribbon that we've recently starting carrying in our shop.  It is wonderfully colorful--made from torn strips of Indian sari fabrics chosen at random and held together by a bit of back-and-forth machine stitching.  It took me a long time to decide just how I would use it, but the idea did not go away.  Here are the two pieces that resulted from staring at the hank of ribbon for several months.

First is the jacket I call "Tattered Jewels."  Squares and triangles of fabric created from the sari ribbon were reverse appliqued into the front back and sleeves.  It is finished with collar and cuffs of a beautiful hand-dyed cotton sateen from my friend Judy Robertson.  For the final touch I use some great hand-made triangular polymer clay buttons I found at the Quilt and Fiber Art Museum in Cedarburg, Wisconsin in January.  (It's a delightful museum if you're in the area.)

Here's the jacket from the back:

After finishing the jacket, I still had leftover bits of the sari ribbon fabric I'd created.  Needless to say I couldn't let them go to waste.  These all went into a piece I called "Sari Ribbon Dance."  I laid out the scraps on a background fabric and then went to town with embroider stitches and beading.

I know there are more sari ribbon projects in my future, but I don't know just what they'll be yet.

Sari Ribbon - Next Steps

Earlier in the week I shared the start of my project using recycled sari ribbon.  I created a piece of fabric by couching over the ribbons to attach them to a piece of silk organza.  Over the last couple of days I've cut that piece of fabric up to use it in reverse applique in a jacket.  Here's the beginning of that jacket.

The squares and triangles will float down the front, back and sleeves of the jacket.  I'll be doing more couching to tie things together, but I haven't made a final decision on that design yet.

When I started working on the fabric, I knew that I also wanted to do something with the ribbon in a wall piece as well.  My initial thought was to follow the same process for creating the fabric, but doing hand embroidery instead of machine couching.  As I began to gather the scraps from the jacket piecing, I realized I needed to do something creative with them as well.  They were too beautiful to discard, but too small to use on their own. I started laying them out on a background fabric to see if I could get a pleasing design.  Here are a couple of my "test" pieces.

I'm not sure where I'm going from here, but I know it will involve hand embroidery - and likely something more.  I know it will get tweaked along the way.

Recyled Sari Ribbon

I've had a hank of recycled sari ribbon hanging from a hook on the wall of our studio for months now.  As soon as we started carrying it in our web store, I knew I wanted to work with it.  I had no idea what I would do with it.  I just loved the vibrant colors.  With all its frayed edges and the overall look of haphazardness, it seemed just perfect for our Wabi Sabi-themed show.  

For months it has called my name, without telling me what to do with it.  A friend crocheted it into fantastic coiled bowls.  I love her bowls, but it wasn't what I wanted to do.  I tried braiding it, but my braids disguised  the frayed edges, transforming the wonderful messiness of it into something neat and somehow insipid.  I tried weaving it, but it came out sort of checker-boardy.  Again ho-hum.

Finally in the last couple of days I think I have found a way to use it that fits my vision and the wabi sabi concept.  Here's my beginning:

I pinned the ribbon to a length of silk organza, folding it back and forth to cover the base.  I took the colors just as they came; I didn't try to rearrange them at all.  I didn't iron the ribbon before putting it down, I left it wrinkly.  I tamed the wrinkles just enough to be sure that I covered the organza and that I could stitch over it.  Then I started couching a thin fringed yarn over the ribbons in a wavy pattern.  I worked in sections, putting in just enough stitching to hold the ribbon to the base without any pins.  Then I ironed the whole thing to flatten down the wrinkles and continued adding wavy lines of couching till everything was secure.

When I first got going I wasn't sure that the result was going to be worth the effort.  By the time I finished the first section, I liked it just enough to keep going.  The second section was much easier due to the fact that I placed the pins lengthwise in the ribbons, not crosswise.  It made it SO much easier to remove the pins as I sewed and I was still able to control the wrinkles the way I wanted to.  By the time I finished stitching the section shown in my photo, I was happy and starting to think about another similar piece.

I think this one is destined for one of my jackets - perhaps cut in strips and inset somewhere.  Then I think I'll do another similar piece but stitch down the ribbons by hand using a variety of embroidery stitches and fancy threads.  I think that will be a wall piece.  Stay tuned, there will be more to come...

More Free Lace

One of my father's favorite sayings was "you learn something new every day."  A typical dinnertime conversation consisted of his asking us in turn what new thing we had learned that day.  Often we had to struggle to come up with something, but usually we could think of something.  I reinforced the idea that learning was important and enjoyable - an idea that stays with me to this day.

With my latest free lace scarf, I learned that I should test the strength of all the threads and ribbons that I use.  I've made many of these and never had any trouble with thread breakage, but with this last one I did.  Not much, but enough that I couldn't ignore it.

The thread that broke was a decorative element, not structural so it wasn't necessarily a fatal flaw.  But I liked what it added so I didn't want to just cut it out.  I'd spent too much in time and materials on the scarf to just junk it, plus I really liked it.  I'd had fun working with colors outside my usual set.  What to do???  No ideas immediately came to mind.

I set it aside, tried not to think about it, and proceeded with all the other things I needed to do yesterday.  Late in the afternoon a friend came by my studio and noticed it sitting on my table.  I showed it to her,  bemoaned the thread breaking problem, and set it aside again.  Luckily though, showing it to Laura must have triggered something in the back of my mind because just after she left I had an idea for fixing it.

Here's the detail shot so you can see what I did.

I added in little "fringes" all over it.  The fringes anchor the broken places as well as adding another decorative element.

The whole thing reinforces one of my favorite art-related sayings - "no mistakes, only opportunities."

How do you define slow?

As I was laying out ribbons for another Free Lace scarf, I began musing about how differently people perceive various (art) projects as quick (and easy) or slow (and tedious).  I began thinking about this because these scarves feel very quick to me--I have finished two already this week and am starting a third.  And yet I spend literally hours very carefully laying out the ribbons to make a pleasing pattern.  If they ever watched me as I do this, many people would say the process is very slow and think it tedious and boring.  Yet because I usually work on jackets and feel very productive if I finish two in a month, these scarves feel very fast to me.  One more example in life, of "it's all relative."
Here's a picture of the scarf that I just finished.  This is another one that was inspired by one of my jackets--specifically the thread couching pattern I used on it.

As I said it took me hours to lay out the ribbons to make all those box patterns, but to me it was far from tedious or boring.  I loved watching the pattern grow and seeing the interplay of the colors.  Working on something like this really helps me to live in the present moment, paying attention to and deriving joy from the details.  So this part of laying out the pattern and then doing the stitching to hold everything together is the calming, meditative part of the project.
The "rush" comes when I wash away the stabilizer to see the completed scarf, and again when I put it together with the jacket that inspired it.  Here's the combination for this scarf.

I was happy enough that I decided to make another one something like it - but I'm trying triangles this time - and very different colors.

Celebration Ensemble

It's gray, gloomy and cold outside, but I'm inside where it's warm and I'm having fun playing with color and texture.  As soon as I finished one Free Lace scarf I started on another.

Here's the one I just finished.  As I mentioned in my last posting, this one was inspired by the jacket I finished most recently.

I incorporated small squares of hand-dyed silk charmeuse in colors that picked up the colors of the jacket and used some of the same slub yarn that I had couched onto the jacket.  I cut the silk with a wavy edge rotary cutter so the edges will fray a little but not totally.  When I washed out the stabilizer the threads shrink up a little giving the silk squares a bit of a scrunchy look.

Here's the full effect with the jacket.  What do you think??

Meditative Stitching

My week is off to such a lovely start, I just had to share...
I got to the studio this morning about 9, after a refreshing water fitness class at the local Y.  By about 10, the sun had come out and burned away the clouds.  It is now streaming through the windows here in my studios, warming it up so nicely I have taken off the bulky sweater I was wearing over my turtleneck.  Glenn has Gregorian chant music playing in his studio across the hall which seems the perfect accompaniment to the undulating lines I've been stitching on a free lace scarf.  It gives me such a nice content feeling...

My plan is to create several new free lace scarves this month to put in the Winter Lights V show at The Loading Dock Gallery later this month.  The scarf I'm working on now is designed to coordinate with the jacket I finished most recently.

I call this one Celebration because I was working on it when I found out that I was a fully qualified juried member of the League of New Hampshire Craftsmen.  It uses a combination of a bluish purple linen-like fabric and a cotton with a batik-type pattern.  (The fabrics were someone else's cast-offs, so I can't be sure of the composition.)  The bluish purple has a lovely sheen to it.  I think it might be a linen and silk blend.  I have embellished the cotton by couching over it with a variegated slub yarn.  I have used that same yarn in the free lace scarf.  I'll let you know how it looks when I'm all finished.

Two More Art-to-Wear Jackets to Share

It has happened again...it's been a full month since I posted last.  It seems I just can't keep up with everything I need to do.  In my last post I mentioned that I needed to work hard to complete my last review for the League of New Hampshire Craftsmen before November 1.  Today I am pleased to report I found out Friday that I am considered a fully qualified member based on the work I submitted for the Craftwear exhibition in August.  I was so pleased and excited that I had to run right down the hall to tell my friend Betsy - another League member.  She's been my coach and mentor in the whole process, encouraging me to keep going when I got down about things.  Then that night I went out for dinner to celebrate with my husband and daughter.  (We had a great dinner at Fuse Bistro a couple of blocks from our condo.)

Now the next big thing on my agenda is to submit my application for a booth at the League's Annual Fair in 2013.  As a newbie I have lowest priority for getting a booth, so I need to make sure my application goes in on time.  I hope to do that tomorrow.

Of course having my own booth also means that I need to keep creating work.  I have finished two jackets since my last post.

Here is the one I call Honoring Friends.

The name comes from the fact that I used hand-dyed fabrics from two of my art quilt friends.  The rust-colored fabrics that form the body of the jacket were created by local artist Mary Walter .  The upper fabric was discharged and has shiny dots painted on.  The lower fabric was printed with bamboo sticks.  I echoed her designs with couched threads.  The cuffs and collar are hand-dyed cotton sateen from Washington artist Judy Robertson.  
(Judy and I used to vend together at the Quilt/Surface Design Symposium in Columbus each summer.  I built up my stash of her fabrics by trading for my art supplies.  Next summer I hope to visit her home studio.)

Here's the back of the jacket - same fabrics, but different proportions.

This next jacket is one I plan to include in the exhibit that Sonja and I are doing at the Topsfield Library (MA) in February.  I call it Wabi Sabi in my Soul.

For this one I used an African Damask that I also bought at Q/SDS in Columbus, from another friend, Becky Hancock.  This fabric seemed to me a perfect example of beauty in imperfection.  I loved the process of deciding just how to place the patterns of the fabric on the jacket to best show them off.  Then I spent many a relaxing night doing hand embroidery on many sections to add color and texture.
Here's a detail shot that better shows what I've done with the embroidery.

And finally here's the back.

I love to incorporate diagonal lines in my jackets whenever I can.

Music for my Eyes

Almost a month since my last post...where does the time go?  I did take a "real" vacation during that time--my son came home and the five of us, my husband, daughter and son-in-law, spent a week just hanging out at the lake.  It was wonderful, no plans beyond what to eat for dinner.  But beyond that vacation time, I've just gotten caught up in the day-to-day of keeping the Friends Fabric Art and Loading Dock Gallery businesses going.  There's always more to be done than can be fit into the available time.

In among all the general administrative things that need to be done, I've tried hard to make time for sewing as well.  If I want to try for my own booth at the League of New Hampshire Craftsmen fair at Sunapee next year, I have to finish my last jacket review by November 1.  I need four new jackets.  I finished one, and have another one well underway.  I should have no problem, but I always get carried away with the design/creation process and making each one totally unique.  It doesn't make for quick projects.

Here's the most recent one that I finished.  I call it Music for my Eyes.  I couldn't really explain that title, other than the jacket evoked music for me.

This one was inspired by that beautifully patterned fabric that I used for the collar, cuffs and lining.  The great blue and purple dyed design has been overprinted with a shiny copper color.  It's really spectacular.  The background is a moire silk to which I've added pieced insets to coordinate with the patterning of the lining.  I had such fun.

Here's the back.

I love to play with asymmetry in my designs.